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Taking its title from a poem by Iranian poet Forugh Farrokhzad, the exhibition (which presents over 230 photographs and eight immersive video installations works) offers a rare glimpse into the evolution of Neshat’s artistic journey as she explores topics of exile, displacement, and identity with beauty, dynamic formal invention, and poetic grace. Beginning with her early photograph series, Women of Allah, the exhibition also features iconic video works such as Rapture, Turbulent, and Passage, monumental photography installations including The Book of Kings and The Home of My Eyes, and Land of Dreams, a new, ambitious work encompassing a body of photographs and two videos that will make its global debut in the exhibition. image: Shirin Neshat, Land of Dreams (video still), 2019 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1578621948507-V8S5OGZ91RF6CIGNQ6OT/image-asset.png Director's Picks - JANUARY 2020 | DIRECTOR'S PICKS Rashid Johnson: The Hikers | Hauser & Wirth, New York November 12, 2019 - January 25, 2020 Hauser & Wirth is pleased to present The Hikers, an exhibition of recent works by American artist Rashid Johnson. The exhibition brings together ceramic tile mosaics, collaged paintings, and a largescale sculpture that address Johnson’s recurring interest in currents of anxiety and escapism created by the political and social turmoil felt across the United States and around the globe. The exhibition borrows its title from Johnson’s latest film, a centerpiece of the exhibition, shot earlier this year on location in the mountains of Colorado. ‘The Hikers’ unfolds through five rooms on the gallery’s second floor, in a formal arrangement that echoes the fragmentation and accumulation of Johnson’s mosaics and collaged works on display. The viewer is first greeted by three monumental mosaics, each comprised of myriad materials familiar from the artist’s practice: multi-color ceramic and mirror tile, oil stick, black soap, wax, and branded red oak flooring. These works evolved out of Johnson’s Anxious Men and Anxious Audiences (2015 – 2018), earlier series in which frenzied, abstracted faces were rendered in black soap and wax on a grid of white tiles. Here, his images of Broken Men and their fellows explore in a storm of bold hues, errant drips of wax, splashes of paint, and splintered surfaces. image: Rashid Johnson, The Hikers (still) 2019 © Rashid Johnson. Courtesy the artist and Hauser & Wirth https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1578622266276-V0AXB78YWJLCSHP5ME52/image-asset.png Director's Picks - JANUARY 2020 | DIRECTOR'S PICKS Noah Davis | David Zwirner, New York January 16 - February 22, 2020 Organized by Helen Molesworth David Zwirner is pleased to present work by American artist Noah Davis (1983–2015), organized by Helen Molesworth. On view at the gallery’s 533 West 19th Street location in New York, the exhibition will provide an overview of Davis’s brief but expansive career. Davis’s work is notable for its seemingly uncomplicated relationship between, on the one hand, his lush, sensual, figurative paintings and, on the other hand, an ambitious social practice project called the Underground Museum, a black-owned-and-operated art space dedicated to the exhibition of museum-quality art in a culturally underserved African American and Latinx neighborhood in Los Angeles. The works on view will highlight both parts of Davis’s oeuvre, featuring more than twenty of his most enduring paintings, as well as models, artworks, and archival materials that tell the story of the Underground Museum. Also included in this section will be the ongoing multimedia installation BLKNWS by Davis’s brother Kahlil Joseph; a sculpture by Karon Davis, the artist’s widow; and furniture made by Shelby George. Image: Noah Davis, Untitled, 2015 (detail). © The Estate of Noah Davis. Courtesy The Estate of Noah Davis https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1578622802237-3K0G25T45DOWU4VEGUGM/image-asset.png Director's Picks - JANUARY 2020 | DIRECTOR'S PICKS Liz Ikiriko: Flags of Unsung Countries | Art Gallery of Southwestern Monitoba January 16 - March 14, 2020 Flags of Unsung Countries is a photographic installation exploring new ceremonies, migration and embodied archives. Photographed in Canada and Nigeria, the work functions as a rite of passage. The exhibition charts the process of understanding a father’s struggles as an African immigrant challenged with mental illness living in the Canadian prairies. The layered images intersect geography and memory in a search for a location of belonging. The work asks the questions: How do we reconcile displacement with a sense of rootedness on adopted homelands? What is required of a home - is it a geography, a structure, a memory? Do we choose to belong or does it choose us? Flags of Unsung Countries uses photography as a language and an archive to map a path of the African diaspora. Using the medium of photography, for this exhibition, Liz Ikiriko documents a personal journey to learn more about her father, returning to meet family in Nigeria and places in Canada where she has lived. Her deeply personal and moving work explores memory, family and identity, and reimagines boundaries between past and present . Image: Liz Ikiriko, Homegoing, 2017. Colour photograph on hahnemuehle, 33.3” x 50”. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1578622849049-CDKCVU1WAKIPDMSS3IT3/image-asset.jpeg Director's Picks - JANUARY 2020 | DIRECTOR'S PICKS Cross Colours: Black Fashion in the 20th Century | California African American Museum, Los Angeles September 27, 2019 - March 1, 2020 Curated by: Tyree Boyd-Pates and Taylor Bythewood-Porter In 1990, on the first season of the hit primetime television show The Fresh Prince of Bel Air, lead actor Will Smith wore a series of boldly hued and geometric looks designed by a young Los Angeles–based urban apparel line named Cross Colours. African American-owned, founded by Carl Jones and T.J. Walker, the brand quickly skyrocketed, securing a plethora of orders across the country and breaking color barriers in the field of men’s apparel. The commercial success of Cross Colours, which Jones and Walker created for black youth with the premise of producing “Clothing Without Prejudice,” had a significant influence on the mainstream fashion industry, inspiring it to take notice of the emerging importance of urban streetwear. Working in the golden age of Hip Hop in the late 1980s and 1990s, Jones and Walker incorporated bright colors and graphic designs that reflected not just trends in fashion, but also a cultural embrace of Afrocentrism in response to unjust Reagan-era policies, rising poverty, police brutality, and substandard educational opportunities. They appealed unapologetically to a black aesthetic, while strategically using product placement, social justice messaging, and community outreach to address these pressing issues. Thirty years later, Cross Colours continues to engage in the socio-political moment and counter negative portrayals of black youth. The first exhibition to examine this groundbreaking brand, Cross Colours: Black Fashion in the 20th Century showcases vintage textiles, media footage, and rare ephemera that illuminate how Cross Colours has permeated popular culture and how fashion can be used to tell history anew. Image: Detail of Cross Colours advertisement in URB magazine featuring Djimon Hounsou, ca. 1991. Photo by Michael Segal. Courtesy the Cross Colours Archive. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1578618316882-12CKRO09DKLUL663JEXJ/image-asset.jpeg Director's Picks - JANUARY 2020 | DIRECTOR'S PICKS Lina Iris Viktor: Some Are Born To Endless Night — Dark Matter | AUTOGRAPH, London, UK September 13, 2019 - January 25, 2020 Curated by Renée Mussai Become immersed in deep lustres of black punctuated with luminous 24-karat gold and opulent ultramarine blue hues in Lina Iris Viktor’s singular artistic universe. Her photography, painting and sculptural installations are infused with cultural histories of the global African diaspora and preoccupied with multifaceted notions of blackness: as colour, as material and as socio-political consciousness. To Viktor, black is the proverbial materia prima: the source, the dark matter that birthed everything. This is the British-Liberian artist’s first major solo exhibition in the UK, with more than 60 works on display in two galleries, many seen for the first time. Image: Lina Iris Viktor, No. XXVI Refuge from the aftermath . . . A Reckoning to come. From the series Dark Continent — Act III: The Wake, 2018 -9. Courtesy of the artist and Mariane Ibrahim Gallery. © Lina Iris Viktor https://www.wedgecuratorialprojects.org/directors-picks/2019/11/6/november-2019-directors-picks monthly 0.5 2020-01-10 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1573693641597-1JQHLQXPRWZREZ4LVEY5/image-asset.jpeg Director's Picks - NOVEMBER 2019 | Director's Picks Crossing Night: Regional Identities x Global Context | MOCAD, Detroit October 25, 2019 - January 5, 2020 Crossing Night: Regional Identities x Global Context presents work that addresses the concerns, thoughts, and desires of contemporary artists from the Southern African region as they grapple with the legacy of post-colonial structures. Regional Identities x Global Context is the second iteration of Crossing Night, an exhibition series organized by the A4 Arts Foundation—a non-profit organization dedicated to supporting the creative arts in southern Africa. With an emphasis on transition and transformation, Crossing Night explores how local politics, urban landscape, and place shape the personal identities that define regional culture. The exhibition will feature photography, video, sculpture, and installation works. For this exhibition, MOCAD and A4 Art Foundation are proud to partner with The Wedge Collection—one of Canada’s largest, privately owned contemporary art collections focused African diasporic culture and contemporary Black life. Crossing Night: Regional Identities x Global Context is organized by the Museum of Contemporary Art Detroit in collaboration with the A4 Arts Foundation, Cape Town and is curated by Larry Ossei-Mensah, Susanne Feld Hilberry Senior Curator, Josh Ginsburg, Director at the A4 Arts Foundation and Jova Lynne, Ford Curatorial Fellow at MOCAD. Image: Binelde Hycran, Cambeck, 2011, video still. Courtesy of The Wedge Collection https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1573094417141-PD885WFIH0BTGHJNOBFN/image-asset.jpeg Director's Picks - NOVEMBER 2019 | Director's Picks God of Gods: A Canadian Play | Art Museum (University of Toronto), Toronto a project by Deanna Bowen September 4 - November 30, 2019 curated by Barbara Fisher Justina M. Barnicke Gallery For her exhibition at the Justina M. Barnicke Gallery at Hart House, internationally renowned, Toronto-based artist Deanna Bowen revisits The God of Gods (1919), a play written and directed by Carroll Aikins (1888-1967), founder of the first national theatre in Canada and artistic director of Hart House Theatre (1927–29). Aikins’ play, staged at Hart House in 1922, projected the horrors of war into a loose adaptation of Romeo and Juliet — using ‘native’ motifs. Deanna Bowen’s film is a conversation by Indigenous artists and writers John G. Hampton, Peter Morin, Lisa Myers, Archer Pechawis, and cheyanne turions. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1573683089619-14VVA07XHFCGXYQZN7FK/image-asset.jpeg Director's Picks - NOVEMBER 2019 | Director's Picks Jalani Morgan: 9 Bats | University of Toronto Scarborough Doris McCarthy Gallery September 24 - November 30, 2019 The culmination of Jalani Morgan’s summer residency at the DMG, ‘9 Bats’ explores mythology, representation, and heroism through the creation of the character of Devon C. Jones, a young baseball player destined for greatness. Devon’s otherworldly story elevates the everyday and highlights the importance of Black mentors, heroes, and of being witnessed. Large-scale photos shot on the baseball diamonds of Scarborough allude to Devon’s hidden, mystical experiences that empower him to achieve. An interactive installation invites visitors to experience the power of the altered state of play. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1573684325271-UPF0CLJY1M6BHP9LJ8O7/image-asset.jpeg Director's Picks - NOVEMBER 2019 | Director's Picks Àbadakone | Continuous Fire | Feu continuel | National Gallery of Canada, Ottawa November 8, 2019 - April 5, 2020 Àbadakone | Continuous Fire | Feu continuel, the second exhibition in the National Gallery of Canada’s series of presentations of contemporary international Indigenous art, features works by more than 70 artists identifying with almost 40 Indigenous Nations, ethnicities and tribal affiliations from 16 countries, including Canada. Àbadakone animates both galleries and public spaces with art in all media, including performance art, video and commissioned installations, complemented by a dynamic program of workshops, performances, film screenings, talks, and more. Building on themes of continuity, activation, and relatedness, this exhibition explores the creativity, concerns and vitality of Indigenous art from virtually every continent. Àbadakone is led by National Gallery of Canada curators Greg A. Hill, Christine Lalonde and Rachelle Dickenson, with consulted curators Candice Hopkins, Ariel Smith and Carla Taunton, as well as a team of advisors from around the globe. image: The Ultrabeam 2017, isiShweshwe (Three Cats Cotton) fabric, glass beads, tulle and cotton thread, https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1573691051672-VKAIY5D2ZQXTJ5SUKT7P/image-asset.png Director's Picks - NOVEMBER 2019 | Director's Picks Human Stories: Circa No Future | NOW Gallery, London (UK) October 4 - November 17, 2019 NOW Gallery presents the first UK solo exhibition by West Indian photographer Nadia Huggins. The fourth iteration of Human Stories will navigate the boundaries between land and sea through a collection of filmic and photographic works captured on the island of St Vincent and the Grenadines. Huggins captures intimate scenes of a group of adolescent males, documenting a choreography of bodies underwater. The work traverses an irradiated border between deep submergence and spectral surfaces. Framed by dramatic coastal landscapes, the work reveals both a youthful camaraderie and spirit whilst exposing an undercurrent of vulnerability in her subjects. Huggins continues to explore the context of people and the sea with newly commissioned works that will be presented for the first time in the UK. The show will immerse and overwhelm the viewer, contemplating the power and expanse of the ocean juxtaposed against communities who are most affected and nurtured by it. To accompany the exhibition, NOW Gallery has commissioned a series of critical essays by writers Melanie Archer and William Abbott. image: installation view, Human Stories: Circa No Future, NOW Gallery https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1573691297294-AS4W8LH55EXGQHAM5YU8/image-asset.jpeg Director's Picks - NOVEMBER 2019 | Director's Picks The Light Grows The Tree | Aurora Cultural Centre, Aurora, ON August 31 - November 23, 2019 Light Grows The Tree is a group exhibition that documents a community of Black artists, writers, curators and collectors in Toronto. Taken by four photographers over two months, these portraits bring visibility to the Black arts community. Curator Liz Ikiriko states, “Just as a tree needs light to grow, this community requires attention to focus and develop. In this first chapter, Light Grows The Tree begins the process of acknowledging those who have been the life force of Black arts in Toronto.” Curated by Liz Ikiriko Photographs by Yannick Anton, Liz Ikiriko, Ebti Nabag and Dainesha Nugent-Palache. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1573692162660-NOV0Q18NN2Z2RSZ4VQ0Q/image-asset.jpeg Director's Picks - NOVEMBER 2019 | Director's Picks Jae Jarrell | Art Gallery of York University & Toronto Biennial of Art, Toronto September 11 - December 1, 2019 Curated by Candice Hopkins and Tairone Bastien Jae Jarrell is co-presented by the Art Gallery of York University (AGYU) and the Toronto Biennial of Art. Additional work by Jarrell is on view at 259 Lake Shore Blvd. E. as part of the Biennial. Visit torontobiennial.org for details. Jae Jarrell made her first Revolutionary Suit in 1969. Constructed of grey tweed, the suit featured a bright yellow suede bandolier stitched along the edge of the jacket. Running from shoulder to hip, the slots of the bandolier are filled with either brightly coloured wooden pegs or pastels: ammunition for creation or for revolution. As Jarrell noted in an article in Jet Magazine in 1971, the bandolier was not simply a fashion accessory: “We were saying something when we used the belts. We’re involved in a real revolution.” From the beginning of her practice, Jarrell merged art and design with Black liberation politics. A part of the Toronto Biennial of Art, this exhibition gathers together sculptures, original designs and archival material spanning nearly fifty years of Jarrell’s radical practice. Jarrell began working professionally in the early 1960s on Chicago’s South Side, creating designs that deliberately disrupted the boundaries between fashion and sculpture. She debuted her first collection in the spring of 1963, opening her first retail store the next year. Her store—Jae of Hyde Park—was a means of self-determination: “You call your shots in business. You set the tone.” By the late 1960s, her practice was directly responding to the activism of the era and aligned with the Black Arts Movement and, in 1968, Jarrell together with her husband Wadsworth Jarrell, Jeff Donaldson, Barbara Jones-Hogu, and Gerald Williams, founded AFRICOBRA (the African Commune of Bad Relevant Artists). The influential collective came together in response to “a lack of positive representation of African American people in media and the arts,” with a goal to “develop a uniquely Black aesthetic that conveyed the pride and power of their communities.” image: Jae Jarrell in studio https://www.wedgecuratorialprojects.org/directors-picks/2019/9/3/september-2019-directors-picks monthly 0.5 2019-09-06 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1567627397162-D0S7CPGP99WZB8786Y0H/67246.01.max-1100x1800.jpg Director's Picks - SEPTEMBER 2019 | Director's Picks Fred Wilson: Chandeliers | PACE Gallery, New York September 14–October 12, 2019 Fred Wilson began his series of chandeliers in 2003 when he represented the United States at the 50th Venice Biennale with Speak of Me as I Am. Since then, Wilson’s Murano glass chandeliers, with their evolving shifts in scale, materials, and complexity, have become vehicles for the artist’s "meditations on blackness, death, and beauty." Installed hanging from the gallery’s 19-foot-high ceilings, the presentation will include five chandelier sculptures from the artist’s first to his most recent, conceived for the 15th Istanbul Biennial in Fall of 2017 Image: Fred Wilson, The Way the Moon's in Love with the Dark (detail), 2017, Murano glass, clear blown glass, brass, steel, light bulbs,. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1567630498267-NMXT681FELQI60ZBUC5I/image-asset.png Director's Picks - SEPTEMBER 2019 | Director's Picks The Way She Looks: A History of Female Gazes in African Portraiture | Ryerson Image Centre, Toronto Photographs from The Walther Collection September 11 – December 8, 2019 Main Gallery and University Gallery Guest Curator: Sandrine Colard Drawn from the extraordinary holdings of The Walther Collection, The Way She Looks revisits the history of African photographic portraiture through the perspectives of women, both as sitters and photographers. Spanning the beginnings of colonial photography on the continent to the present day, the exhibition features contemporary works by female artists, including Yto Barrada, Jodi Bieber, Lebohang Kganye, Zanele Muholi, Grace Ndiritu, and Nontsikelelo “Lolo” Veleko alongside 1950s studio portraits by such important historical figures as Malick Sidibé and Seydou Keïta, and nineteenth-century prints, cartes de visite, postcards, and albums. Image : Nontsikelelo “Lolo” Veleko, Nonkululeko, from the series Beauty is in the Eye of the Beholder, 2003. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1567619353029-8AJFW8AABW3EZT05FZJF/Rashid-Johnson_Untitled-Microphone-Sculpture.jpg Director's Picks - SEPTEMBER 2019 | Director's Picks Rashid Johnson: Anxious Audience | The Power Plant, Toronto September 21, 2019 - May 10, 2020 CURATOR: LAUREN BARNES ASSISTANT CURATOR: AMIN ALSADEN, RBC CURATORIAL FELLOW For his first solo presentation in Canada, American artist Rashid Johnson will undertake a major new site-specific work. This will be the fifth iteration of the Clerestory Commission Program, which invites artists to respond to The Power Plant’s central light-filled space. Johnson has attained prominence internationally for works harnessing the rich symbolism and histories of varied materials. He is renowned for minimalist black grid constructions that serve as carriers for materials including plants, shea butter and other artefacts—objects that reference collective aspects of African-American intellectual history and cultural identity. image: Rashid Johnson, Untitled (Microphone Sculpture), 2018. Bronze panel, ceramic tile, mirror tile, animal skin, books, shea butter, ceramics, plant, oil stick, black soap, wax. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1567628512916-5YWKEO5HR10QQGQMJOW2/image-asset.jpeg Director's Picks - SEPTEMBER 2019 | Director's Picks Black Refractions: Highlights from The Studio Museum in Harlem | Kalamazoo Institute of Arts, Michigan September 14 - December 8, 2019 Reflecting nearly 100 years of art history in America, Black Refractions: Highlights from The Studio Museum in Harlem reflects the breadth of The Studio Museum's 50 years of supporting and incubating artists of African descent. The exhibition will fill all four of the main floor KIA galleries. The exhibition features a diverse array of works created by artists of African descent from the 1920s to present. Featuring 91 works from The Studio Museum's permanent collection, this unique exhibition illuminates the museum's unparalleled impact on the art world and the community of Harlem. The exhibition is organized by the American Federation of Arts and The Studio Museum, and is touring the country while the museum completes its new building. The KIA is the only Midwest stop for this tour, with support from Art Bridges. Image: Barkley Hendricks, Lawdy Mama, 1969 Oil and gold leaf on canvas 53 3/4 × 36 1/4 in. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1567618717232-KYXD5XKZS69PEFDFEKOK/image.jpg Director's Picks - SEPTEMBER 2019 | Director's Picks Rajni Perera: Traveller | Patel x Division Projects, Toronto September 19 - November 2, 2019 Patel Gallery is pleased to announce Rajni Perera's solo exhibition 'Traveller' opening September 19th at 6:00pm. This will be the inaugural exhibition at the newly announced Patel x Division Projects, a partnership between Division Montreal and Patel Gallery at 45 Ernest Ave. The exhibition will build upon Perera's Traveller series, taking place in a future that could be now or may have already happened, speaking directly to issues of sovereignty, belonging, identity and personhood. As times of scarcity loom large, and as nation states push and pull on its citizenry, we see the diasporic person become the focus of the future. The Travellers are protected by way of ancestral armor developed for body and spirit, and adapted to fit behaviors of care and nourishment, while facing the dangers of off-world commute, inhospitable terrain, and territorial dispute. These vestments have been produced slowly, in some cases over the course of many centuries. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1567627827973-M6COESQ2061PL84DDPFO/image-asset.png Director's Picks - SEPTEMBER 2019 | Director's Picks Jasmine Thomas-Girvan & Chris Ofili: Affinities | David Zwirner, Toronto August 30—September 21, 2019 David Zwirner is pleased to present a two-person exhibition of work by Trinidad-based artists Jasmine Thomas-Girvan and Chris Ofili at the gallery’s London location. Featuring sculptural works by Thomas-Girvan alongside paintings by Ofili, Affinities will bring to light the rich artistic conversation that exists between these two artists, arising both in response to their shared environment as well as an ongoing dialogue throughout the nearly two decades they have known each other. This will be the first in a series of exhibitions in which gallery artists invite artists whose work they are inspired by to participate in a collaborative presentation. Image: Chris Ofili, Calypso 5, 2018, Gold leaf, watercolour and charcoal on paper https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1567773507419-OSYRN4S8JR76E9V4PN0P/image-asset.png Director's Picks - SEPTEMBER 2019 | Director's Picks Roy DeCarava: Light Break and the sound i saw | David Zwirner, New York September 5 - October 26, 2019 Curated by Sherry Turner DeCarava The gallery’s first presentation of Roy DeCarava’s work in concurrent exhibitions titled Light Break and the sound i saw shows the artist’s powerful, atmospheric practice both broadly, in his many photographs that “capture a moment of life,” and specifically in an extensive project focused on jazz musicians. DeCarava was born in New York’s Harlem neighborhood in 1919. He first used a camera to gather images for paintings, but by the mid-1940s, he had switched exclusively to photography. The artist describes having been being drawn to jazz as part of “a kind of total consciousness,” of his daily life in Harlem. Compiling images he had been taking for more than twenty years, DeCarava designed, wrote, and put together the sound i saw as an artist book in the early 1960s. Unpublished for almost half a century, the project records his photographic exploration of the relationship between the visual and aural through his gaze on legendary musicians Ornette Coleman, John Coltrane, Duke Ellington, and Billie Holiday, among many others. Image: Roy DeCarava, Curved branch, 1994. https://www.wedgecuratorialprojects.org/directors-picks/2019/8/7/august-2019-directors-picks monthly 0.5 2019-08-08 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1565197959249-Q241U3ILJM7FS0NW9415/sandrabrewsterblur18.jpg Director's Picks - AUGUST 2019 | Director's Picks Sandra Brewster: Blur | Art Gallery of Ontario, Toronto July 24, 2019 - March 29, 2020 Located on the 2nd floor in the Mary & Harry Jackman Gallery. In the Blur series, Brewster explores layered experiences of identity – ones that may bridge relationships to Canada and elsewhere, as well as to the present and the past. image: Sandra Brewster. Blur 18, 2017. Photo-based gel transfer on archival paper, 101.6 cm x 88.9 cm. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1565223584089-QYV283IFQZU5WSMXEZ9U/Hendricks-Lawdy-Mama_blackbkg_web.jpg Director's Picks - AUGUST 2019 | Director's Picks Black Refractions: Highlights from the Studio Museum in Harlem | The Gibbes Museum of Art, Charleston, SC May 24 - August 18, 2019 With works in all media from the 1930s to the present, this will be the first traveling exhibition to reflect the full breadth of the Studio Museum’s unparalleled permanent collection. The exhibition, including work by artists such as Romare Bearden, David Hammons, Norman Lewis, Wangechi Mutu, and Lorna Simpson, will expand understanding of modern and contemporary art by artists of African descent. image: Barkley Hendricks, Lawdy Mama, 1969, Oil and gold leaf on canvas. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1565222640767-2B7WXCCDMZ38DCX1DW26/image-asset.png Director's Picks - AUGUST 2019 | Director's Picks Thomas J Price, Ordinary Men | The Power Plant, Toronto June 22 - September 2, 2019 The exhibition at The Power Plant, Price’s first in Canada, features a series of sculptures in varying sizes. Inside the gallery, a newly commissioned work is presented alongside several smaller bronzes and photographs that challenge the erasure of black bodies within the traditions of classical sculpture. Curated by Justine Kohleal, RBC Curatorial Fellow https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1565222049765-WEO1XDMX12A8406LBBJ0/StudioMuseumHarlem.png Director's Picks - AUGUST 2019 | Director's Picks We Found Us | Studio Museum, Harlem July 19 - August 30, 2019 We Found Us: Expanding the Walls 2019 presents work by the fifteen artists in the 2018–19 cohort of Expanding the Walls: Making Connections Between Photography, History, and Community, an annual, eight-month residency at The Studio Museum in Harlem in which New York City–area high school participants explore the history and techniques of photography. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1565224774048-GEUO8UH24NC8EXN84FS9/ToWhoDoWe_Jul4.jpg Director's Picks - AUGUST 2019 | Director's Picks To Who Do We Call Upon | Margin of Eras Gallery, Toronto July 18 - August 10 To Who Do We Call Upon is about kinship in its simplest form — creating a love letter to the past, present, and future. Work by artists Zoma Maduekwe, Jemini Baptiste, Sylvia Limbana, Kadrah Mensah, Faith Icecold and Oreka James explore visions of the Black home, shared history, connectivity and community. "We envision ourselves, spirits and elders within our (art) practices and devotion." https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1565226482709-UBDQW7FJVGUKWOY29FJ1/image-asset.png Director's Picks - AUGUST 2019 | Director's Picks Zanele Muholi, Faces and Phases 13 | STEVENSON, Johannesburg July 20 - August 30, 2019 STEVENSON is proud to present Faces and Phases 13 by Zanele Muholi. Founded in 2006 in recognition of a lack of black queer visibility, Muholi’s Faces and Phases series has grown into a living archive of black and white photographic portraits of more than 500 lesbians, gender-nonconforming individuals and transmen in various expressions of their sexuality and gender identity. image: installation view, Faces and Phases 13, STEVENSON https://www.wedgecuratorialprojects.org/directors-picks/2019/4/4/may-liz-johnson-artur-dusha-brooklyn-museum-new-york monthly 0.5 2019-06-10 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1560187919553-MUO4DR9FGRT9BD3OETKX/Screen+Shot+2019-06-10+at+1.28.51+PM.png Director's Picks - Liz Johnson Artur: Dusha | Brooklyn Museum, New York https://www.wedgecuratorialprojects.org/directors-picks/2019/4/4/some-black-parisians-glenn-ligon-muse-dorsay-paris monthly 0.5 2019-06-10 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1554414889518-6ZELC5OE7MZ5I58AZWKL/original-1.jpg Director's Picks - Some Black Parisians. Glenn Ligon | Musée d'Orsay, Paris Glenn Ligon, Some Black Parisians in the Musée d'Orsay, 2019 https://www.wedgecuratorialprojects.org/directors-picks/2019/4/23/contact-2019-directors-picks monthly 0.5 2019-08-08 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1556297141784-1ZHAJ77SI5N8YQKMQR5K/image-asset.jpeg Director's Picks - CONTACT 2019 | Director's Picks Ayana V. Jackson, Moments of Sweet Reprieve, from the series Intimate Justice in the Stolen Moment, 2017. Courtesy of the artist and Galerie Baudoin Lebon. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1556297411299-ZGCKLX6ZQNAA1R103Z6Y/image-asset.jpeg Director's Picks - CONTACT 2019 | Director's Picks - Carrie Mae Weems, Blending the Blues Curated by Bonnie Rubenstein May 1–July 27, Opening May 3, 6pm. CONTACT Gallery, 80 Spadina, Ste 205 Carrie Mae Weems, Heave Curated by Bonnie Rubenstein May 4–July 27, Opening May 4, 6pm. Art Museum at UofT–Justina M. Barnicke Gallery, Hart House Circle Carrie Mae Weems' Public Installations include: Anointed, April 18–September 6. 460 King St W Slow Fade to Black, April 26–June 4. Metro Hall, King St W at John St Scenes and Take, May 1–31. TIFF Bell Lightbox, 350 King St W Carrie Mae Weems, Untitled (Colored People Grid), 2009. Courtesy the artist and Jack Shainman Gallery, New York, NY https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1556297427446-5FN2OZILUP3DEJXCB7E8/image-asset.jpeg Director's Picks - CONTACT 2019 | Director's Picks - Michael Tsegaye, Future Memories Curated by Ikenna Malbert April 25–June 2. BAND Gallery, 19 Brock Ave Michael Tsegaye, Future Memories IX, 2011. Courtesy of the artist and Addis Fine Art. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1556297466210-ALO9P1782ILC6GY8THN2/image-asset.jpeg Director's Picks - CONTACT 2019 | Director's Picks - An Archive, But Not An Atlas Curated by Liz Ikiriko April 27–June 2, Opening Saturday, April 27. Critical Distance Centre for Curators, 180 Shaw St, Ste 302 Eve Tagny, Jeanette Tagny, née Mapokam Kandoum, 2019. Archival inkjet print. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1556297475755-R2FC3SWP29RODD8787WI/image-asset.jpeg Director's Picks - CONTACT 2019 | Director's Picks - Luther Konadu, Ethan Murphy, Zinniia Naqvi, The New Generation Photography Award Curated by Andrea Kunard. May 1–June 9, Opening May 2, 7pm. The Gladstone Hotel, 1214 Queen St W Luther Konadu, Gestures on Portrayal, 2017. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1556297480736-SG22TUZG7APWRTK1FHNR/image-asset.jpeg Director's Picks - CONTACT 2019 | Director's Picks - Bishara Elmi, Luther Konadu, A Kind of Return Curated by Alyssa Fearon May 4–June 22, Opening May 4, 12pm. Doris McCarthy Gallery, 1265 Military Trail, UofT Scarborough Luther Konadu, Feather as Index #20, 2018. Digital print. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1556297491718-HMDAPI4PZ8BC4I1F7T1F/image-asset.jpeg Director's Picks - CONTACT 2019 | Director's Picks - Anique Jordan, Ban’ yuh belly May 4–June 1, Opening, May 4, 3pm. Zalucky Contemporary, 3044 Dundas St W Anique Jordan, these times, 2018, 2018. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1556297499172-JVC1P5ADWBRFWGGCHTP2/image-asset.jpeg Director's Picks - CONTACT 2019 | Director's Picks - Erika DeFreitas, It is now here that I have gathered and measured yes. Curated by Kim Simon May 4–June 8, Opening May 11, 2pm. Gallery TPW, 170 St Helens Ave Erika DeFreitas, She may be moved and they multiplied most in exaggeration (No.27), 2018. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1556297504967-FAGKK1HHMT4PC49NTO1T/image-asset.jpeg Director's Picks - CONTACT 2019 | Director's Picks - Photography Collection: Women in Focus, 1920s–1940s Curated by Julie Crooks April 27–November 10. Art Gallery of Ontario, 317 Dundas St W Violet Keene Perinchief, African Appeal, around 1935. Courtesy Stephen Bulger Gallery © The Estate of Violet Keene Perinchief/Stephen Bulger Gallery. https://www.wedgecuratorialprojects.org/directors-picks/2019/4/12/perilous-bodies-ford-foundation-gallery-new-york monthly 0.5 2019-04-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1555109471679-KHSS9EXAX4UXTANGEGZW/41410.jpg Director's Picks - Perilous Bodies | Ford Foundation Gallery, New York Otobong Nkanga, The Weight of Scars, 2015 https://www.wedgecuratorialprojects.org/directors-picks/2019/4/4/nari-ward-we-the-people-new-museum-new-york monthly 0.5 2019-04-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1554675319184-6LLHUBX0HXICPWK4PS79/nariward11_photo-by-john-kennard.jpg Director's Picks - Nari Ward: We the People | New Museum, New York Nari Ward, We the People, 2019. Exhibition view: New Museum, New York. https://www.wedgecuratorialprojects.org/directors-picks/2019/4/4/the-break-the-wake-the-hold-the-breath-circuit-gallery-prefix-ica-toronto monthly 0.5 2019-04-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1554413345890-RXHDYZGAUH3TOO0FYYZ1/Abraham-Oghobase_What-If_Austria_DET-680.jpg Director's Picks - The Break, The Wake, The Hold, The Breath | Circuit Gallery @ Prefix ICA, Toronto Abraham Oghobase, What if Austria Colonized Nigeria #5, Self Portrait #2 (detail), 2017 https://www.wedgecuratorialprojects.org/directors-picks/2019/3/31/guest-of-honor-souvenir-ii-by-kerry-james-marshall-detroit-institute-of-arts-detroit monthly 0.5 2019-04-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1554051172400-LWXDKF7UKNPQV8NL11J3/image-asset.png Director's Picks - Guest of Honor | "Souvenir II" by Kerry James Marshall | Detroit Institute of Arts, Detroit Kerry James Marshall, Souvenir II, 1997. Acrylic, collage, and glitter on unstretched canvas banner. Addison Gallery of American Art, Phillips Academy. https://www.wedgecuratorialprojects.org/directors-picks/2019/3/31/soul-of-a-nation monthly 0.5 2019-04-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1554050281255-T5KJEO74HR7DF9JWF6OS/barbara_jones-hogu_unite_first_state_1969.jpg Director's Picks - Soul of a Nation: Art in the Age of Black Power 1963-1983 | The Broad Museum, Los Angeles Image Credit: Barbara Jones-Hogu, Unite (First State), 1971. Screenprint. https://www.wedgecuratorialprojects.org/directors-picks/2019/2/8/token-contemporary-ongoing-a-space-gallery-toronto monthly 0.5 2019-04-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1549673458125-OE4BIOVPL7LHG4E12JRW/image-asset.png Director's Picks - Token | Contemporary Ongoing | A Space Gallery, Toronto Sandra Brewster, Untitled (Straw Mat), 2018 https://www.wedgecuratorialprojects.org/directors-picks/2018/11/1/mickalene-thomas-femmes-noires-ago-toronto monthly 0.5 2019-04-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1541090772056-24J5BP38EKRA720PCRUD/E-17695.jpg Director's Picks - MICKALENE THOMAS: FEMMES NOIRES | AGO, Toronto Mickalene Thomas, Le Dejeuner sur l’herbe: Les trois femmes noires (detail), 2010. Rhinestones, acrylic, and enamel on wood panel, 304.8 x 731.5 cm. The Rachel and Jean-Pierre Lehmann Collection © Mickalene Thomas https://www.wedgecuratorialprojects.org/directors-picks/2018/11/1/dawoud-bey-stephen-bulger-gallery-toronto monthly 0.5 2019-04-04 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1544307321328-CHXHQ4V3I7Q5G864X9XG/unnamed+%282%29.jpg Director's Picks - Dawoud Bey | Stephen Bulger Gallery, Toronto A Boy in front of the Loew's 125th Street Movie Theater, 1976 © Dawoud Bey / courtesy Stephen Daiter Gallery, Chicago, Stephen Bulger Gallery, Toronto https://www.wedgecuratorialprojects.org/directors-picks/2018/10/31/believe-museum-of-contemporary-art-moca-toronto monthly 0.5 2019-04-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1541090357450-K86IJSS12LEFMZFSD8MN/Nep-Sindhu-MOCA.jpg Director's Picks - BELIEVE | Museum of Contemporary Art (MOCA), Toronto Nep Sidhu's No Pigs in Paradise garments and his tapestry, The Sound Sculpture Forms & Knowledge Transfers of Kahil El’Zabar (When My Drums Come Knocking, They Watch Series). Image by Toni Hafkenscheid https://www.wedgecuratorialprojects.org/directors-picks/2018/10/31/ill-be-your-mirror-kitchener-waterloo-art-gallery-kitchener monthly 0.5 2018-11-01 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1541007773956-B93HAQ8C4ZMS0VMGMUWO/Frazier%2C+LaToya+Ruby+-+Huxtables%2C+Momme+and+Me.jpg Director's Picks - I'll Be Your Mirror | Kitchener-Waterloo Art Gallery, Kitchener Huxtables, Mom and Me, LaToya Ruby Frazier, 2008 https://www.wedgecuratorialprojects.org/directors-picks/2018/9/19/gordon-parks-the-flvio-story-ryerson-image-centre-toronto monthly 0.5 2018-10-19 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1537374276288-H0LY9TEXT4L7TQRAQQHP/Gordon+Parks+Flavio.png Director's Picks - Gordon Parks: The Flávio Story | Ryerson Image Centre, Toronto Gordon Parks, Flavio da Silva, Rio de Janeiro, Brazil, 1961. Courtesy of and copyright The Gordon Parks Foundation https://www.wedgecuratorialprojects.org/directors-picks/2018/9/12/soul-of-a-nation-brooklyn-museum monthly 0.5 2018-10-31 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1536792011376-KWDEIF30O4B4YRPA0IOM/Barkley+Hendricks%2C+Blood. Director's Picks - Soul of a Nation: Art in the Age of Black Power | Brooklyn Museum, New York Barkley Hendricks, Blood, 1975. Oil and acrylic on canvas, 72 x 50 1/2 in. https://www.wedgecuratorialprojects.org/new-events daily 0.75 2024-05-24 https://www.wedgecuratorialprojects.org/new-events/2024/6/13/the-wedge-lecture monthly 0.5 2024-05-24 https://www.wedgecuratorialprojects.org/new-events/2022/4/25/tba-april-28-art-for-breakfast-01-timonthy-yanick-hunter monthly 0.5 2022-04-25 https://www.wedgecuratorialprojects.org/categories daily 0.75 2021-04-21 https://www.wedgecuratorialprojects.org/history-mandate daily 0.75 2026-02-17 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1545928905012-59B3IDM2DYTJ5F6MNJVD/becoming.jpeg History & Mandate https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1571927628180-UH622CZ5U0IYS98MX94D/Kenneth-Montague-1-368x0-c-default.jpg History & Mandate https://www.wedgecuratorialprojects.org/contact daily 0.75 2024-10-07 https://www.wedgecuratorialprojects.org/exhibitions daily 0.75 2022-07-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532719447005-EV2VFCDD9XSXWMQFX7OV/Chambers%2C+Michael.jpg 1997: Michael Chambers Michael Chambers, Sunflower, 1994, Archival fiber based silver gelatin print. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1f29d042-c1e8-4ede-b138-262a9aceaf42/Chambers+Artist+Statement.jpg 1997: Michael Chambers - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.wedgecuratorialprojects.org/wedgeexhibitions daily 0.75 2026-02-16 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1610477824568-V3YZW02G2G1V413AU7TT/Jorian%2BCharlton%252C%2BGeorgia%252C%2B2020.jpg Exhibitions OUT OF MANY https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/456d614f-3a4d-4e4a-b329-06df96e19e3e/ayana+v+jackson.jpg Exhibitions - Make it stand out AYANA V. JACKSON: FISSURE https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1571928222537-6541QIBHF93OIFT68N9R/unnamed.jpg Exhibitions ZUN LEE: FADE RESISTANCE https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528674487457-P82LERCXLJN3ERWVTQUA/Screen-shot-2013-01-15-at-5.54.20-PM.png Exhibitions REGGAE OR NOT https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528672243294-YIFD1RX263GEM5S197TP/Doherty_Wonder-Truck_Dust-666x443.jpg Exhibitions NINETY-SIX HOURS OF WEDGE https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528672009482-DWZVW5PTFBR7NAHUREEQ/CountShelleySounds-666x446.jpg Exhibitions DENNIS MORRIS https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528489209822-XE91ZYRAMPHCTRINA5LW/Gleaton%2C+Tony.jpg Exhibitions TONY GLEATON : AFRICA’S LEGACY IN LATIN AMERICA https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528487225695-9F090XLFG6F6ENKU4ZNI/box1995.jpg Exhibitions MICHAEL CHAMBERS: TRANSFORMING REALITY https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1578942124919-GPXQ07XLFRT4E4KTR8UV/image-asset.jpeg Exhibitions HANDLE WITH CARE https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528675302857-X4IWELLQIKJC3XMSQ513/Curtiss-Randolph-What-Have-You-Overcome-from-the-series-Horizon-2017-2-768x614.jpg Exhibitions OF OURSELVES https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528675097661-HVZ788318DJIPGP9TZZX/James-Cooper-Johana-Foamz-2008-digital-photograph_-666x432.jpg Exhibitions PICTURES FROM PARADISE https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1571928152779-8QLOZF13P1NUT9HMAJRG/ManMadeToronto_DXOpening.jpg Exhibitions STEPHEN BURKS: MAN MADE TORONTO https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528672123685-W4GR56HODU6UU2MRUCUA/Petros_Remix.jpg Exhibitions DAWIT PETROS: REMIX https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528671960635-JBJMI56L0VIS9I7FDVJU/SHABAZZ_twomensubway-666x503.jpg Exhibitions JAMEL SHABAZZ: BACK IN THE DAYS https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1571928032781-EPP8VUYZ2YTC0ZAR1NZB/Women-Posing-with-Car-666x476.jpg Exhibitions SEYDOU KEITA : MID-CENTURY MODERN https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1547695608432-T5PT2SWJP38NF2NP36DF/image-asset.png Exhibitions A LOVE ETHIC https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1544911519375-4LEDBOS3MPHI2ZUGA9QU/image-asset.png Exhibitions LIMINAL SENSE https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528674556810-YZH7COR9CEMM23ONOVCW/Jon-Blak_Toronto_2_Tailor-666x416.jpg Exhibitions HOME: PHOTOGRAPHS BY JON BLAK https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528672689827-PNYMR3I04ODU3X8PMA8L/City-Hall-Lubumbashi-DR-Congo-2007-666x442.jpg Exhibitions GUY TILLIM https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528672067202-JFO4JIHPPM4T44IY1HZN/SCHDEBERG_Making-Up-666x695.jpg Exhibitions JÜRGEN SCHADEBERG https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1571928082530-VIX48PO39XCHIC36K0KX/32-w-type.jpg Exhibitions OJEIKERE : HAIRSTYLES https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528489081621-PJA377EI50GLHJMVUFQ1/VanDerZee_Couple.jpg Exhibitions JAMES VAN DER ZEE: PORTRAITS https://www.wedgecuratorialprojects.org/james-van-der-zee daily 0.75 2022-07-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532719269620-7YT6RJFUVG4Z0YGD34SV/Van+der+Zee%2C+James%3ARaccoon+Coat.jpg 1999: James Van Der Zee James Van Der Zee, Couple with Racoon Coats, 1932, Silver gelatin print. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/32db7821-c48a-44c6-a3aa-2f4132c0991b/Word+Mag+Pg1.jpg 1999: James Van Der Zee - Make it stand out “James VanDer Zee: Vignettes in a Frame” by Nicole Blades, The Word Magazine, May 1999. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/b4b6fae8-291f-4029-a771-1a9d14961117/Word+Mag+Pg2.jpg 1999: James Van Der Zee - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.wedgecuratorialprojects.org/seydou-keita daily 0.75 2022-07-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532719077920-DEXWQMMNW9U5Q32HOLK7/Women-Posing-with-Car-666x476.jpg 2000: Seydou Keita* https://www.wedgecuratorialprojects.org/tony-gleaton daily 0.75 2022-07-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532718888286-2H6MOHI7PBSEDHQFTXF1/Gleaton_Three-Sisters-666x523.jpg 2001: Tony Gleaton Tony Gleaton, Tres Hermanas (Three Sisters) from the series Tengo Casi 500 Anos: Africa’s Legacy in Central America, 1986, Silver gelatin print. https://www.wedgecuratorialprojects.org/2002-ojekeire daily 0.75 2022-07-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532718666659-DGQQQLUICZ8RO231JA75/32-w-type.jpg 2002: Ojekeire J.D. ‘Okhai Ojeikere, Aja Nloso Family, 1974, Silver gelatin print. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/42ec8f18-f7f7-4262-84a7-7b87c76a9a30/Word+Mag+JD+Okhai+Ojeikere+Exhibition+Feature+1A.jpg 2002: Ojekeire - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/4cc07ccf-60e1-46fd-9d5c-f910d4290031/Word+Mag+JD+Okhai+Ojeikere+Exhibition+Feature+1B.jpg 2002: Ojekeire - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.wedgecuratorialprojects.org/2003-jamel-shabazz daily 0.75 2022-07-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/049ab848-414e-4a23-92eb-9ced7bff1e72/Shabazz+Contact+Cover.jpg 2003: Jamel Shabazz Jamel Shabazz, Rude Boy, Brooklyn, New York, 1982. https://www.wedgecuratorialprojects.org/2005-dennis-morris daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532717631517-85RSL8P3VD9CJFN0MFE2/CountShelleySounds-666x446.jpg 2005: Dennis Morris Dennis Morris, MC & Selecta, 1974, Gilcée print https://www.wedgecuratorialprojects.org/2005-jurgen-schadeburg daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532715623362-J9546CF2ONVKUZ3MTYPL/SCHDEBERG_Making-Up-666x695.jpg 2005: Jurgen Schadeburg Jürgen Schadeberg, Making Up (Priscilla Mtimkulu), 1954, Selenium-toned Gelatin Fibre Print, © Jürgen Schadeberg https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532715809487-J6R0NTPUK8BWJIL001WG/Schadeberg%2C+Jurgen%3Abarber+shop.jpg 2005: Jurgen Schadeburg https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532715840534-CR3WJ9OEHGN719TOK453/Schadeberg%2C+Jurgen%3Athe+midnight+kds.jpg 2005: Jurgen Schadeburg https://www.wedgecuratorialprojects.org/2006-dawit-l-petros daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532714722682-MY3S2N0876M43NMI9Y3Q/Petros_Remix.jpg 2006: Dawit L. Petros Dawit L. Petros, Remix, 2003, Chromogenic print https://www.wedgecuratorialprojects.org/2007-ninetysix-hours-of-wedge daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1541895497241-YBXAPH8V694ROJYZEJN2/Doherty_Wonder-Truck_Dust-666x443.jpg 2007: ninety-six hours of wedge* Pete Doherty, Wonder Truck, 2003, Silver Gelatin Print, © Pete Doherty. https://www.wedgecuratorialprojects.org/2008-becoming daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532707429823-5WKR9WZBG1HN3PVI9Q4E/Notting-Hill-Couple-Cp_48-666x463.jpg 2012/2008: Becoming* Charlie Philips, Notting Hill Couple, 1967, Silver Gelatin Print, © Charlie Philips https://www.wedgecuratorialprojects.org/2008-head-room daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532714238187-4JWM6VQFN775B6RWRWMV/Ojeikere_Mkpuk.jpg 2008: head room* J.D. ‘Okhai Ojeikere, Mkpuk Eba, 1974, Silver gelatin print https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532714423580-93HXDID3O7ZOGI6OTHWX/Screen+Shot+2018-07-27+at+1.52.31+PM.png 2008: head room* https://www.wedgecuratorialprojects.org/2010-always-moving-forward daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1530910724107-OK77YPT8TH2K4C5DFEQF/Mohomed-Bourouissa1-e1326069212817.jpg 2012/2010: Always Moving Forward* Mohamed Bourouissa, Le Téléphone, 2006, digital print. © Mohamed Bourouissa https://www.wedgecuratorialprojects.org/2011-position-as-desired daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532711975037-6NPSFC7G8F36Q2XP12MC/Screen+Shot+2016-11-04+at+8.00.09+PM.png 2017/2011: Position As Desired* Anique Jordan, Detail from 94 Chestnut at the Crossroads, 2016. Courtesy of the artist and Dr Kenneth Montague | The Wedge Collection https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1539969607498-W6AFNOS2M44PVJ0A3PD6/Petros_Sign1.jpg 2017/2011: Position As Desired* Dawit Petros, Sign, 2010. Digital print https://www.wedgecuratorialprojects.org/2011-guy-tillum daily 0.75 2022-11-21 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532714066792-RLX30UJXT2D5HYE0MJNA/Screen+Shot+2018-07-27+at+12.40.08+PM.png 2011: Guy Tillim Guy Tillim, Apartment Building, Avenue Bagamoyo, Beira, Mozambique, 2008, Archival Pigment Ink on cotton rag paper, © Guy Tillim https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532714024261-MF6O8WQJF289SHMOTRF4/Screen+Shot+2018-07-27+at+12.39.39+PM.png 2011: Guy Tillim https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532714041761-HDMA4UXS89W18Y9UDGJI/Screen+Shot+2018-07-27+at+12.39.49+PM.png 2011: Guy Tillim https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532708134924-V176XTYNPKLKI3P3E3YM/City-Hall-Lubumbashi-DR-Congo-2007-666x442.jpg 2011: Guy Tillim https://www.wedgecuratorialprojects.org/2012-stephen-burks daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1530910431308-AR887PL15S90PVUIQZVX/ManMadeToronto_DXOpening.png 2012: Stephen Burks https://www.wedgecuratorialprojects.org/2013-reggae-or-not daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1530909257940-NGSL6NLCOTH8R4KYVOWN/beth+lesser.png 2013: Reggae or Not Beth Lesser, Singer Frankie Jones, Deejay Prince Jazzbo and a youth, Channel One, 1984. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1530910035875-57Z2H646OCRGNG9BGW3F/reggae+or+not+sponsors.png 2013: Reggae or Not https://www.wedgecuratorialprojects.org/2014-home daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1530908271877-ECOT8S81W2MBUW4NDCS0/Blak%2C+Jon.jpg 2014: Home Jon Blak, Jamall Brothers, 2012. © Jon Blak https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1530909023679-J10C8RLFMHBCAU8PBKVJ/HOME+sponsor-logos.jpg 2014: Home https://www.wedgecuratorialprojects.org/2014-pictures-from-paradise daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1530907561664-KAVL9YDDVZ1CIG3NDOI8/James-Cooper-Johana-Foamz-2008-digital-photograph_-666x432.jpg 2014: Pictures from Paradise James Cooper, Johana Foamz, 2008. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528831429649-LKRKX3CMF1GOVIYNWLEI/w_sbc.jpg 2014: Pictures from Paradise https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1528831450748-68HA1X6N2VFG36TB2KZV/PFP_sponsor-logos_all-black.jpg 2014: Pictures from Paradise https://www.wedgecuratorialprojects.org/2016-fade-resistance daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1530907156886-Z979AHRIXPSE2CMO2CG6/unnamed.jpg 2016: Fade Resistance https://www.wedgecuratorialprojects.org/2016-counterpoints daily 0.75 2018-07-06 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1530903455067-80BALKWZ1SKO5XGFGK9H/Johnson%2C+Rashid.jpg 2016: Counterpoints Rashid Johnson, The Reader, 2008, Lambda print. © Rashid Johnson https://www.wedgecuratorialprojects.org/2018-of-ourselves daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1530898467587-UL0HWAKDCNXPD1R8JJ3O/nathalia.jpg 2018: Of Ourselves https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1541895084762-PA249RZBZGPFUHJKFBZW/of+ourselves+logos%40300x.png 2018: Of Ourselves https://www.wedgecuratorialprojects.org/black-portraitures-toronto daily 0.75 2025-06-20 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1532974446884-Q3DL7TO3OB2WMJX9573F/Frazier%2C+LaToya+Ruby+-+Huxtables%2C+Momme+and+Me.jpg Black Portraitures - Black portraiture[s] https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1624388395862-YQILB2UV6HRNMLX58XRX/Sandra+Brewster+AGO+Blur%2C+150dpi.jpg Black Portraitures - Make it stand out Installation view, Sandra Brewster: Blur, July 24, 2019 – March 29, 2020 at the Art Gallery of Ontario. Work shown: Untitled (Blur), 2017 – 2019 © Sandra Brewster. Photo: AGO https://www.wedgecuratorialprojects.org/community-1 daily 0.75 2021-10-13 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1545930846953-TGOBIR4XTDIL8DZ4W0W1/Screen+Shot+2018-12-27+at+12.13.37+PM.png Community - COMMUNITY OUTREACH https://www.wedgecuratorialprojects.org/activities-events daily 0.75 2018-08-02 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1533239921021-VA3NMPWPYHI3F98CR7L3/image-asset.png Activities & Events https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1533241461434-1YDPPPSVD2Z0XGN2JL8R/Screen+Shot+2018-08-02+at+4.21.59+PM.png Activities & Events https://www.wedgecuratorialprojects.org/contact-1 daily 0.75 2024-10-07 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1670975845088-AQ8EIEZGVMOQC7HI1CV3/IMG_1609.jpg Contact Installation view, Jon Blak: Sanctuary Doors, September 24 - November 24, 2022, Walmer road baptist church | 38 walmer road, Toronto, ON. https://www.wedgecuratorialprojects.org/2017-liminal-sense daily 0.75 2022-02-07 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/766b0800-4e59-4d15-8ddb-14a377d95cfa/Charlton%2C+Jorian%2C+Hair.jpg 2017: Liminal Sense Jorian Charlton, Untitled, 20 x 30", digital print, 2015 https://www.wedgecuratorialprojects.org/a-love-ethic daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1547694492016-O228HRI9NMB0ANIQJB42/Screen+Shot+2019-01-16+at+10.01.11+PM.png 2019: A LOVE ETHIC William Ukoh, Untitled from the Okobo series, 2018 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1547694927473-49OU06PFUXSZ16Z5PUJI/Screen+Shot+2019-01-04+at+11.45.12+AM.png 2019: A LOVE ETHIC https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1547694799917-CDIEIEN7KJHC02H80G09/Screen+Shot+2019-01-16+at+10.13.02+PM.png 2019: A LOVE ETHIC https://www.wedgecuratorialprojects.org/2019-crossing-night daily 0.75 2021-01-12 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1571928640857-BAWW6L6BG5PR4HMHC34K/Re-shapa-setepe-sa-lenyalo-II-2013.jpg 2019: Crossing Night Kganye, Lebohang, Re shapa setepe sa lenyalo II. From the series Ke Lefa Laka. 2013. Copyright belongs to the artist. Image courtesy of AFRONOVA GALLERY, and Dr Kenneth Montague / The Wedge Collection https://www.wedgecuratorialprojects.org/2020-handle-with-care daily 0.75 2022-11-21 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1578944219171-WU7Q437BGOWP8FNOYA6W/image-asset.jpeg 2020: Handle with Care Adrienne Elise Tarver, Mirage 9, 2017, Ink and watercolour on paper. © The artist. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1578944124883-QOAE2JFT8BEUGTT2RBOY/image-asset.png 2020: Handle with Care https://www.wedgecuratorialprojects.org/2021-out-of-many daily 0.75 2022-09-22 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1610477120457-JV7O7OUN8SYWTCLKYRJV/Jorian+Charlton%2C+Georgia%2C+2020 2021: Out of Many Jorian Charlton, Untitled (Georgia), 2020. © 2021 Jorian Charlton. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1610480219043-8962E6UEMO0HUH2E6ZF9/Out+of+Many+partner+logos.png 2021: Out of Many https://www.wedgecuratorialprojects.org/new-page-1 daily 0.75 2025-05-22 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/b4e813ea-c067-4c2d-86f9-8fe7ef8ddfd2/Wedge+-+full+with+Wedge+logo+%281%29.png On Now // Upcoming - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.wedgecuratorialprojects.org/call-for-guest-curator daily 0.75 2021-11-30 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/4d734093-ed3f-4c18-867e-bb6ac6db02aa/Copy+of+Copy+of+Untitled+%281500+x+650+px%29+%281%29.png CALL FOR GUEST CURATOR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.wedgecuratorialprojects.org/bp-absented-presence daily 0.75 2022-01-21 https://www.wedgecuratorialprojects.org/past-programming daily 0.75 2022-01-21 https://www.wedgecuratorialprojects.org/wedge-editions daily 0.75 2022-12-15 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/b36e84ae-ffb9-45d3-8577-cae633316a93/Screen+Shot+2022-04-25+at+9.12.03+AM.png Jorian Charlton x AGO Art Rental Sales - WEDGE EDITIONS https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650709759750-K6BYSOMOQGT1G95L8XNL/Jorian+Charlton%2C+Untitled+%28Georgia%29%2C+2021.png Jorian Charlton x AGO Art Rental Sales - Untitled (Georgia), 2020 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650709763359-BYJDNQE0BIZB9JTSB3N5/Jorian+Charlton%2C+Untitled+%28Nyabel+and+Nevine%29%2C+2021.png Jorian Charlton x AGO Art Rental Sales - Untitled (Nyabel & Nevine), 2021 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650709772840-OE4VQFGGEN5QXTB8YPFT/Jorian+Charlton%2C+Untitled+%28Nyabel%29%2C+2021.png Jorian Charlton x AGO Art Rental Sales - Untitled (Nyabel), 2021 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650709772685-J1ODHET123F99MTN5OPP/Jorian+Charlton%2C+Untitled+%28Whak+%26+Mo%29%2C+2021.png Jorian Charlton x AGO Art Rental Sales - Untitled (Whak & Mo), 2020 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650709779914-YUKRMDOQJSSIMKR4LF2W/Screen+Shot+2022-04-18+at+7.24.58+AM.png Jorian Charlton x AGO Art Rental Sales - Untitled (Angaer), 2019 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650283502158-GT4RSPJOT3WBQIAVS2B8/ARS_logo22.jpg Jorian Charlton x AGO Art Rental Sales - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650282440581-U8ZCVTB8NRLUWTCGCM51/Jorian+Charlton%2C+Untitled+%28Whak+%26+Mo%29%2C+2021.png Jorian Charlton x AGO Art Rental Sales https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650282445782-W3OIJ5E98M4IFQJ964NP/Jorian+Charlton%2C+Untitled+%28Nyabel%29%2C+2021.png Jorian Charlton x AGO Art Rental Sales https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650282456976-8R151GAQUUIZGDUW44P6/Jorian+Charlton%2C+Untitled+%28Nyabel+and+Nevine%29%2C+2021.png Jorian Charlton x AGO Art Rental Sales https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650282457931-Q4OZ1D3ZHIHJ7BV3TI2W/Jorian+Charlton%2C+Untitled+%28Georgia%29%2C+2021.png Jorian Charlton x AGO Art Rental Sales https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1650282464682-P55XG7NWUAL03O9PQLIB/Screen+Shot+2022-04-18+at+7.24.58+AM.png Jorian Charlton x AGO Art Rental Sales https://www.wedgecuratorialprojects.org/new-page-2 daily 0.75 2022-04-25 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/b36e84ae-ffb9-45d3-8577-cae633316a93/Screen+Shot+2022-04-25+at+9.12.03+AM.png Editions - Wedge Editions https://www.wedgecuratorialprojects.org/jon-blak-sancturary-doors daily 0.75 2022-09-22 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/662f5ef5-381e-4ac0-881c-19a858884cb9/Screenshot+%2823%29.png 2022: Jon Blak - Make it stand out Jon Blak, Charging Pod, 2020. Courtesy of the artist. © Jon Blak 2022. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/ccfe665e-82df-4f0c-b3c8-a435b4b0a1a9/Screenshot+%2826%29.png 2022: Jon Blak - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.wedgecuratorialprojects.org/2019-fissure daily 0.75 2022-11-21 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/34af0a4a-8dab-40a7-b8ec-9739907672e2/Ayana+Jackson.jpg 2019: Fissure - Make it stand out Ayana V. Jackson, Stella, from the series Dear Sarah, 2016. Courtesy of the artist and Galerie Baudoin Lebon. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1668992277725-DC8B36WB1EHG5V2HCAPV/1.+Ayana+V.+Jackson%2C+Installation+view+of+Fissure%2C+Campbell+House+Museum%2C+Toronto%2C+May+1+-+June+2%2C+2019.+Photo_+Toni+Hafkenscheid.+Courtesy+CONTACT%2C+the+artist%2C+and+Galerie+Baudoin+Lebon.jpg 2019: Fissure https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1668992277884-2S9HXMMDZ7R1JHYVQ673/2.+Ayana+V.+Jackson%2C+Installation+view+of+Fissure%2C+Campbell+House+Museum%2C+Toronto%2C+May+1+-+June+2%2C+2019.+Photo_+Toni+Hafkenscheid.+Courtesy+CONTACT%2C+the+artist%2C+and+Galerie+Baudoin+Lebon.jpg.jpg 2019: Fissure https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1668992281806-OZ4K2ZHLD89VWDGA7XIK/3.+Ayana+V.+Jackson%2C+Installation+view+of+Fissure%2C+Campbell+House+Museum%2C+Toronto%2C+May+1+-+June+2%2C+2019.+Photo_+Toni+Hafkenscheid.+Courtesy+CONTACT%2C+the+artist%2C+and+Galerie+Baudoin+Lebon.jpg.png 2019: Fissure https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1668992280815-QY09YG5YF40C2VY558YS/4.+Ayana+V.+Jackson%2C+Installation+view+of+Fissure%2C+Campbell+House+Museum%2C+Toronto%2C+May+1+-+June+2%2C+2019.+Photo_+Toni+Hafkenscheid.+Courtesy+CONTACT%2C+the+artist%2C+and+Galerie+Baudoin+Lebon.jpg.jpg 2019: Fissure https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1668992282226-B6ZT0A9S4672C921ZDVU/5.+Ayana+V.+Jackson%2C+Installation+view+of+Fissure%2C+Campbell+House+Museum%2C+Toronto%2C+May+1+-+June+2%2C+2019.+Photo_+Toni+Hafkenscheid.+Courtesy+CONTACT%2C+the+artist%2C+and+Galerie+Baudoin+Lebon.jpg.jpg 2019: Fissure https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1668992283111-TT2WQW8EPL1OBH0DWZCA/6.+Ayana+V.+Jackson%2C+Installation+view+of+Fissure%2C+Campbell+House+Museum%2C+Toronto%2C+May+1+-+June+2%2C+2019.+Photo_+Toni+Hafkenscheid.+Courtesy+CONTACT%2C+the+artist%2C+and+Galerie+Baudoin+Lebon.jpg.jpg 2019: Fissure https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1668992284926-Q9XFOI5YVQ3BQIQ6POWP/7.+Ayana+V.+Jackson%2C+Installation+view+of+Fissure%2C+Campbell+House+Museum%2C+Toronto%2C+May+1+-+June+2%2C+2019.+Photo_+Toni+Hafkenscheid.+Courtesy+CONTACT%2C+the+artist%2C+and+Galerie+Baudoin+Lebon.jpg.png 2019: Fissure https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/cfab20a9-916b-485c-a252-b8c7aca9098c/download.png 2019: Fissure - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.wedgecuratorialprojects.org/wedge-lecture-2024 daily 0.75 2025-06-20 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411578621-ZJINHICZ7CSKJV7PXFR3/2024WedgeLecture-.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411508649-3M6Q8RIV32CFX23962IB/Wedge-2843.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411515171-779CS9S74LHWDAPJMXWG/2024WedgeLecture-2701.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411517356-PS115L0D6Y0R0P2NAI5T/2024WedgeLecture-2713.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411517844-D8NEIAGHMLC02ZC76J5Q/2024WedgeLecture-2808.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411522498-LT473KJY1R6T5L7KZ275/2024WedgeLecture-2866.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411521984-BG0CXQHGY9TVNB2BYPGW/2024WedgeLecture-2835.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411507559-RAK0P7ZUH6H18UYA8BPJ/2024WedgeLecture-3042.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411512885-4ES2G0T79V7O06Z8O2UO/Wedge-2893.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411504330-T5UGSSW8JM3VPIL3C8PY/2024WedgeLecture-3012.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411513827-9Y5HVWGB4DHTD66J1577/Wedge-2968.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411505134-HD2M0Z9F2RVC4CJ0ZOAM/2024WedgeLecture-3019.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411525896-WQNN806BYDOF8GRJ9T7M/2024WedgeLecture-2993.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411526054-80926LRJRNI2O0DCGUOU/2024WedgeLecture-2994.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411529179-88DCLZAPGPQK4IO376QL/2024WedgeLecture-2996.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411528812-6ZPE3IO77WI60CKPPZMN/2024WedgeLecture-2998.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411531480-LDD9G2J6G4BRVBA7151U/2024WedgeLecture-2999.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411533157-1X7AUMK2LF7K9XF7HMS9/2024WedgeLecture-3004.jpg The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1a2e805a-889f-4f66-99ca-ac277ae083b5/image-asset.png The Wedge Lecture: Thelma Golden and Dr. Julie Crooks in Conversation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.wedgecuratorialprojects.org/25-years-of-wcp daily 0.75 2025-05-22 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/d1ed4632-fca0-404e-98ef-43aba1595f72/WCP25+landing+page_desktop.png 25 Years of WCP - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.wedgecuratorialprojects.org/25-years-of-wcp-1 daily 0.75 2025-05-22 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/f00a3a1e-e3b4-4a9e-996f-0ebedb84315b/F1000028.jpeg 25 Years of WCP - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/e5e896d9-8fa8-47fb-a8bc-814b4161d6e7/20220620171820975.jpg 25 Years of WCP - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/d1ed4632-fca0-404e-98ef-43aba1595f72/WCP25+landing+page_desktop.png 25 Years of WCP - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.wedgecuratorialprojects.org/the-wedge-lecture daily 0.75 2025-10-16 https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411517844-D8NEIAGHMLC02ZC76J5Q/2024WedgeLecture-2808.jpg The Wedge Lecture https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411508649-3M6Q8RIV32CFX23962IB/Wedge-2843.jpg The Wedge Lecture https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411517356-PS115L0D6Y0R0P2NAI5T/2024WedgeLecture-2713.jpg The Wedge Lecture https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411515171-779CS9S74LHWDAPJMXWG/2024WedgeLecture-2701.jpg The Wedge Lecture https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411513827-9Y5HVWGB4DHTD66J1577/Wedge-2968.jpg The Wedge Lecture https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411512885-4ES2G0T79V7O06Z8O2UO/Wedge-2893.jpg The Wedge Lecture https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411507559-RAK0P7ZUH6H18UYA8BPJ/2024WedgeLecture-3042.jpg The Wedge Lecture https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411505134-HD2M0Z9F2RVC4CJ0ZOAM/2024WedgeLecture-3019.jpg The Wedge Lecture https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411504330-T5UGSSW8JM3VPIL3C8PY/2024WedgeLecture-3012.jpg The Wedge Lecture https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/80211812-f8ee-471d-8cfe-96ef18c0d032/4_102739.jpg The Wedge Lecture Stephen Burks in conversation with SOCA Studio What role can design play in a world marked by climate crisis, displacement, and inequality? Join award-winning designer Stephen Burks in conversation with acclaimed architects Shane Laptiste and Tura Cousins Wilson of SOCA (Studio of Contemporary Architecture) as they explore how art, architecture, and design can challenge dominant narratives, reclaim identity, and imagine new futures. https://images.squarespace-cdn.com/content/v1/5ae0cd61b10598d3050dff80/1721411522498-LT473KJY1R6T5L7KZ275/2024WedgeLecture-2866.jpg The Wedge Lecture In Conversation: Thelma Golden and Dr. Julie Crooks For this inaugural event, WCP partnered with Luminato Festival, Toronto’s International Festival of Art and Ideas, to host Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, in conversation with Dr. Julie Crooks, Curator, Arts of Global Africa and the Diaspora at the Art Gallery of Ontario.